I | B |
b III | D |
IV | E |
b VI | G |
b VII | A |
B
N.C.
N.C.
A ONE_MAJOR
D
E5
B
B
N.C.
N.C.
A ONE_MAJOR
D
E5
B
B
A ONE_MAJOR
D
E5
B
B
N.C.
A ONE_MAJOR
D
E5
B
B
N.C.
A ONE_MAJOR
D
E5
B
B
N.C.
A ONE_MAJOR
D
E5
B
B
Dead
leaves
and
the
A ONE_MAJOR
dirty
ground
when
I
D
E5
know
you're
not
a-
B5
round
B
Shiny
tops
and
A ONE_MAJOR
Soda
pops
when
I
D
E5
hear
your
lips
make
a
B5
sound
When
I
G5
A5
Hear
your
lips
make
a
B
sound
B
Thirty
notes
in
the
A ONE_MAJOR
box
will
D
E5
tell
you
that
I'm
coming
B5
home
B
And
I
think
I'm
gonna
A ONE_MAJOR
stick
around
for
a
D
E5
while
so
you're
not
a-
B5
lone
For
a
G5
A5
While
so
you're
not
a-
B
lone
B
N.C.
A ONE_MAJOR
D
E5
B
B
N.C.
A ONE_MAJOR
D
E5
B
B
N.C.
N.C.
If
you
can
hear
a
pi-
A ONE_MAJOR
ano
fall
you
can
D
E5
hear
me
comin
down
the
B5
hall
B
N.C.
If
I
could
just
hear
your
A ONE_MAJOR
pretty
voice
I
don't
D
E5
think
I'd
need
to
see
at
B5
all
I
don't
G5
A5
Think
I'd
need
to
see
at
B
all
B
Soft
hair
and
a
A ONE_MAJOR
velvet
tongue
I
wanna
D
E5
give
you
what
you
give
to
B5
me
B
And
every
breath
that
is
A ONE_MAJOR
in
your
lungs
is
a
D
E5
tiny
little
gift
to
B5
me
Is
a
G5
A5
Tiny
little
gift
to
B
me
B
N.C.
A ONE_MAJOR
D
E5
B
B
N.C.
A ONE_MAJOR
D
E5
B
E5
I
didn't
E5
feel
so
bad
til
the
B5
A5
sun
went
down
B5
E5
Then
I
come
home
E5
no
one
to
wrap
my
arms
G5
around
wrap
my
arms
A5
around
B
N.C.
N.C.
Well
any
man
with
a
A ONE_MAJOR
microphone
can
D
E5
tell
you
what
he
loves
the
B5
most
B
N.C.
And
you
know
why
you
A ONE_MAJOR
love
at
all
if
you're
D
E5
thinking
of
the
holy
B5
ghost
If
you're
G5
A5
Thinking
of
the
holy
B
ghost
B
A ONE_MAJOR
D
E5
B
B
N.C.
A ONE_MAJOR
D
E5
B
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